What exactly lies in wait is mostly hidden by the Red Barrels team, save for a revealing interview about Outlast Trials' development. Glimpses of head cages and test subjects wielding weapons amplify the horror of being driven insane by illegal Government experimentation. Murkoff Corporation (the company pulling the strings in the previous releases) is back, and set to get the ball rolling for more unethical and dangerous experiments, this time set in the Cold War era. The Twitter post contains strong imagery that elicits the unsettling and thematic vibes present in both previous entries. RELATED: 5 Reasons Outlast 1 is Better than Outlast 2 (and 5 Reasons Why 2 is Better) The franchise has previously gained a lot of notoriety thanks to being popularized through "Let's Plays" on YouTube in unison with well-executed jump scares, securing its status in the horror genre with its emphasis on survival. Meeting the Outlast characters is an intense experience, and Trials is set to continue the trend of an imposing cast with plenty of unashamed body horrors. Outlast Trials will be a prequel, but shows no sign of shrinking back in the process. Outlast 1 and 2's run-and-hide gameplay is coupled with the inability to fight back against memorable enemies.
#Outlast 2 multiplayer series#
However, in order to keep the hype train going its official Twitter account has released several screenshots of Outlast Trials, containing a plethora of series staples and new features to tease fans. There are monsters, sure, but Outlast 2's scariest moments come from its most familiar faces.Outlast Trials has been in the works for the past few years, and Red Barrels is determined to take its time with its development to avoid rushing the project. It rains blood and spews locusts and sends twisted cultists after you through it all, just regular people wearing overalls and carrying bloody steak knives, moaning in apocalyptic overtones. Outlast 2 takes you through dilapidating farms and flooded mines and old townships that all say something about the history of the people who lived there. The first Outlast had the same intense stealth sequences and chase scenes, but in the spooky asylum every Early Access game goes for. What I like most about Outlast 2 is that it doesn't just use its themes as set-dressing. It’s fear of the drastic measures people will take to ensure their salvation, the burden of guilt, and whether or not the big guy up top exists and gives a damn. It's not a fear about being hunted, artistic viscera spills, or neatly arranged corpses on spikes (though there’s plenty of that stuff). It’s one of the most bizarre ending sequences I’ve witnessed, tapping into a fear I’ve known since my first week at Sunday school. Long after the final minutes of Outlast 2, I felt queasy, uncertain that what I saw had actually happened. If you're having trouble navigating Outlast 2's dark farmland or can't figure out how enemies keep spotting you, check out our beginner's guide. And when you’re dashing through it, nearly out of battery while a ‘man’ screams biblical verse and shoots fiery crossbow bolts past your head it’s both thrilling and nauseating, all propped up by an incredible soundtrack. It’s stunning artistic and graphical work. Subtle lighting casts trees and figures like paper silhouettes against muted backdrops, and convincing effects like the camera’s depth of field and visual noise make the world look real at a glance. Red Barrels’ commitment to building such a disorienting horror simulation is as admirable as it is annoying. While the original Outlast could depend on the hospital’s architectural pathways to direct the player, pulling off subtle signposting in an outdoor setting can’t be as obvious without compromising the feeling of being lost and helpless. The area was a wild goose chase killbox, built only to confuse. The way out was a short sprint not far from where the sequence begins, a quick hop over a pile of wood pallets piled next to the fence. Red Barrels’ commitment to building such a disorienting horror simulation is as admirable as it is annoying.Įarly on, I wandered the same cornfield for 30 minutes, crawling the perimeter and making several suicide runs to scope out the buildings for an exit.
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